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By Yvette Hardie, President of ASSITEJ
Hearing your voices, seeing your faces This month was going to be the much-anticipated period in which the ASSITEJ family came together from across the globe to celebrate, to reflect and to reimagine the Unknown Future – together in Tokyo at the ASSITEJ World Congress and the MIRAI Festival. Instead we find ourselves at home, with (for almost all of us), our projects postponed or cancelled, our theatre spaces empty, our rehearsal rooms and offices now our homes and no plans for travel in the immediate future. It is an extraordinary time which is calling for the deepest resolve, the greatest solidarity, especially with the poorest and most vulnerable, and the most powerful imaginations to envisage what possibilities exist for the arts for our children and young people within this “new normal”. We have seen incredible energy and engagement from artists and administrators across the world as they tackle the challenges presented, and there have been many inspiring examples of artists finding new ways to explore, to reach their audiences and to advocate for the importance of the arts in the lives of children – some of which are shared in this newsletter. While we are excited that the possibility to meet in real time and space is still there for March 2021, and in the years ahead, as the recent call to members has made clear, we are also aware that we need to make a plan for the now as well. Our need for connection, for conversations about what is possible, for sharing of dilemmas and solutions, is powerful, and ASSITEJ wants to find ways to keep connecting with our members ongoingly through this difficult time. We will hold a Special meeting of the General Assembly for the period when we would have come together in Tokyo, and we are planning a series of engagements hosted by different EC members and ASSITEJ members for the months ahead. While we know that online access is not easy for everyone, we want to see what we can do to make connection possible in these times, and we look forward to connecting with you in real time in the near future. If you have innovative ideas for how this can happen, please let us know. I look forward to hearing your voices, seeing your faces and sharing the energy and passion which is at the heart of what we do and why we do it. Till then, enjoy what this newsletter has to offer… and see you soon!
[한글번역] 작성자: 이벳 하디, 세계본부 회장
여러분의 목소리를 듣고, 여러분의 얼굴을 봅니다.
이번 달은 전 세계 아시테지 패밀리가 함께 모여 도쿄에서 ‘아시테지 세계총회’와 ‘MIRAI 페스티벌’을 축하하고 ‘Unknown Future’의 주제를 반영하고 재구성하기 위한 시간이 가질 예정이었습니다. 그렇지만 우리 모두의 대부분은 연기되거나 취소된 프로젝트, 비어있는 극장과 리허설 공간, 이제는 우리의 집이 사무실이 되어버린, 또한 가까운 미래에 여행에 대한 계획이 없이 집에 머무르는 우리 자신을 발견하게 되었습니다. ‘뉴 노멀(New Normal)’ 의 시대 안에서 가장 깊은 결의, 특히 매우 가난하고 가장 취약한 사람들을 위한 가장 큰 연대, 그리고 우리 아이들과 젊은이들을 위한 예술에 어떤 가능성을 가지고 있는지 예상해 볼 수 가장 강력한 상상력을 요구하는 특별한 시간을 경험하고 있습니다. 우리 앞에 놓여있는 과제를 해결하면서 전 세계의 예술가와 예술관련 행정가들의 놀라운 에너지와 참여를 느낄 수 있었고, 새로운 방법을 탐구하고, 관객에게 다가가며, 어린이의 삶 안에서의 예술의 중요성을 지지하는 예술가들의 영감을 불러일으키는 사례들을 찾을 수 있었습니다. 이에 대한 몇 가지 내용들은 이 뉴스 레터에서 확인할 수 있습니다. 다음해 2021년 3월, 실시간으로 같은 공간에서 만날 수 있다는 가능성에 대해 기대하는 한편, 우리 아시테지 회원들에게 향후 몇 년 동안의 계획을 밝혔듯이 이제는 현재를 위한 계획을 세워야 한다는 것을 인지하고 있습니다. 연결, 가능한 것에 대한 대화, 딜레마와 해결방법의 공유에 대한 우리의 욕구는 강력하며, 아시테지는 이 어려운 시기에 회원들과 지속적으로 연결할 수 방법을 찾고자 합니다. 우리는 도쿄에서 진행하려고 했던 이 기간 동안 세계총회의 스페셜 미팅(Special Meeting)을 개최 할 것이며, 앞으로 몇 달 동안 여러 EC(Executive Committee) 회원과 아시테지 회원들에 의해 주최되는 일련의 참여활동을 계획하고 있습니다. 온라인 접속이 모든 사람에게 쉬운 일이 아니라는 점을 알고 있지만, 이 시기에 연결을 가능하게 하기 위해서 우리가 무엇을 할 수 있는지에 대해 알고, 가까운 미래에 실시간으로 여러분과 연결되기를 기대하고 있습니다. 서로의 연결을 가능하게 하는 혁신적인 아이디어가 있으면 알려주시기 바랍니다. 여러분의 목소리를 듣고, 여러분의 얼굴을 보고, 우리가 하는 일과 왜 이 일을 하는 것인가에 대한 중심에 있는 에너지와 열정을 공유하기를 기대합니다. 그때까지 저희가 제공하는 뉴스 레터를 즐기시고, 곧 만나기를 바랍니다! |
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 | | | Special meeting of the General Assembly 세계총회 스페셜 미팅 | | | THE EXECUTIVE COMMITTEE IS CALLING FOR A SPECIAL ONLINE MEETING OF THE GENERAL ASSEMBLY OF ASSITEJ. 집행위원회가 아시테지 세계총회의 스페셜 온라인 미팅을 개최합니다.
SPACE: ONLINE
DATES: 18 – 26 MAY 2020THE ONLINE MEETING WILL CONSIST OF THREE SECTIONS:- A video conference between members, the Executive Committee and the bidders for ASSITEJ Artistic Gathering 2022 and 2023.
The meeting will take place on 18th and 19th May in two time zones.
- Meeting A :
Mainly for members from Africa, Europe and the Americas.
Date: Monday 18 May 2020
Time: 3 pm – 5 pm South African Standard Time
- Meeting B :
Mainly for members from Asia and Oceania.
For this meeting ASSITEJ provides translations into Mandarin and Japanese.
Date: Tuesday 19 May 2020
Members should attend only one of the two meetings.
- Circulation of the recorded online meetings and questions by email.
The online meeting will be recorded and circulated to all members. Members can send questions by email to the Executive Committee and the candidate of the ASSITEJ Artistic Gatherings. All questions and answers will be shared on the website of ASSITEJ. Dates: Wednesday 20 May 2020 – Sunday 24 May 2020. - Online voting.
All National Centres and ASSITEJ Networks will receive an email from ASSITEJ. This email will contain an online voting ballot with instructions on how to cast the vote.
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장소: 온라인
일시: 2020년 5월 18일-26일
이 온라인 미팅은 세가지 섹션으로 이루어집니다.
1. 아시테지 회원들을 위한 비디오 컨퍼런스, 집행위원회 그리고 아티스틱 게더링(artistic gathering) 2022년 그리고 2023년에 대한 입찰
이 미팅은 5월 18일 그리고 19일 두 개의 다른 시차를 고려하여 진행될 예정입니다.
- 미팅 A:
주로 아프리카, 유럽, 그리고 미국 회원들을 대상.
일시: 2020년 5월 18일(월)
시간: 오후 3시~5시 (남아프리카공화국 시간 기준)
- 미팅B
주로 아시아 및 오세아니아 회원들을 대상.
이 미팅에서는 아시테지가 일본어와 중국어의 통역을 제공합니다.
일시: 2020년 5월 19일(화)
아시테지 회원이라면 이 두 가지 미팅 중 한 곳에만 참여 가능합니다.
2. 온라인 미팅의 녹화본과 질의할 수 있는 이메일이 전송될 예정입니다.
온라인 회의가 기록되어 모든 회원에게 배포됩니다. 아시테지 회원은 집행위원회 및 아시테지 아티스틱 게더링 후보자에게 이메일로 질문을 보낼 수 있습니다. 모든 질문과 답변은 아시테지 웹 사이트에서 공유될 예정입니다.
날짜 : 2020년 5월 20일 수요일 – 2020년 5월 24일 일요일.
3. 온라인 투표
아시테지 세계본부는 모든 각국 아시테지 센터 및 네트워크에게 이메일을 전송 할 예정입니다. 이 메일에는 투표 방법에 대한 지침이 담긴 온라인 투표 용지가 포함되어 있습니다.
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 | | | We can't meet? Let's join! | | | ASSITEJ LAUNCHES COFFEE SESSIONS 아시테지가 '커피세션'을 런칭합니다 | | | This May many members would have met at the 20th ASSITEJ World Congress in Tokyo. Due to COVID-19, this will not happen. As a response to this, ASSITEJ will facilitate a number of online meetings for the sector. In a time where many colleagues around the world are isolated, it has a great value to meet online. These meetings are open to all members of ASSITEJ national centres, networks and individual members, as well as to interested TYA artists. We want to start by hosting regional meetings where we can connect in smaller groupings in the period between 20 May – 2 June. Each region will meet twice. The first meeting will be to connect and find out how everyone is doing, what they are experiencing, and what challenges and concerns they have at this time. A week later, our second regional meeting will be curated around a question, direction, or potential project that is suggested coming out of the first meeting. Some translation will be provided for both of these meetings. The EC will then collate these responses and start to see how we might connect regions or themes together. We intend to curate further meetings, open to anyone who is interested, which will take forward the themes and needs that have been brought up in the regional meetings. Given that ASSITEJ cannot meet physically in 2020, we intend to meet virtually on a regular basis, and to pursue our artistic practice and conversations together. We look forward to meeting you. | [한글번역] 올해 5월 도쿄, 제20회 아시테지 세계 총회에서 많은 회원들이 만날 예정이었습니다. 코로나19(COVID-19)로 여파로 이 행사는 진행되지 못했습니다. 이로 인해, 아시테지는 이 분야에 대한 다수의 온라인 회의를 기획할 예정입니다. 전 세계의 많은 동료들이 고립되어있는 현재, 온라인에서 만나는 것은 큰 가치를 가지고 있습니다. 이 회의는 각국에 있는 아시테지 센터, 네트워크 및 개인 회원뿐만 아니라 이 분야에 관심이 있는 TYA 아티스트들도 참여할 수 있습니다.
저희는 5월 20일부터 6월 2일까지 소규모 그룹으로 연결될 수 있는 지역 미팅(regional meeting)을 주최하고 하려고 합니다. 각 지역은 두 번의 미팅을 가질 예정입니다. 첫 번째 미팅은 사람들이 이 시기를 어떻게 보내고 있는지, 현재 겪고 있는 일과 그들이 당면한 도전과제와 고민을 연결하고 찾아내는 것입니다. 일주일 후, 두 번째 지역 미팅은 첫 번째 미팅에서 언급되었던 질문, 방향 또는 잠재적 프로젝트를 중심으로 나아가서 기획될 것입니다. 이 두 미팅에서는 일부 언어로 번역이 제공될 예정입니다.
미팅 이후, EC는 이러한 응답을 수집하고 지역 또는 테마를 어떻게 연결할 수 있는지 고려할 것입니다. 우리는 지역 미팅에서 제안된 주제와 필요사항에 대해 대화를 나눌 수 있는 모든 사람들에게 열린 추가 미팅을 기획하려고 합니다.
2020년, 아시테지 회원들이 물리적으로 만나는 것이 어려운 이 때, 정기적으로 온라인에서 만나고 또한 예술적 실천과 대화를 이어나가야 합니다. 커피세션에서 당신을 만나기를 기대합니다.
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| COVID-19 & TYA: A global snapshot |
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 | | | | Australian TYA community prepares for the future |  | ASSITEJ Australia “We will make works that not only bring our audiences and participants back to hope and fun and meaning, but works that acknowledge and illuminate the differences that will inevitably be part of a new world” Artists are starting robust conversations about their readiness to create works to shape our future community and society’s relationship to culture and the arts. Read more |
 | | | | Dusk or dawn? |  | Scènes d'enfance - ASSITEJ France "It is noticeable that we are moving forward with the growing feeling that things will never be the same" As everywhere, French performing arts and the whole cultural sector are deeply impacted by the lockdown. For all those who were still hoping to save the season, the cancelation of the Festival d’Avignon and all the summer festivals sounded like the coup de grâce, but it is only one link in a whole chain reaction at work. Read more |
 | | | | A letter from Small Size network |  | Small Size network "Our international networks, SMALL SIZE and ASSITEJ, share the great advantage of having already brought together artists from around the world, in order to reflect on the issue of childhood and artistic creation." Such networks can help to invent the world of tomorrow for children. It seems essential to us today to foster access to art and artistic creation at an early age.
The current crisis forces us to invent, innovate and, sometimes, improvise… This is what artistic creation is all about: invent the world, Read more |
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American National Endowment for the Arts publishes a landmark report advocating for the value of TYAUSA : a major step for recognitionASSITEJ USA / TYA USA Prepared in collaboration with Theatre for Young Audiences/USA, the US national center of ASSITEJ, “Envisioning the Future of Theater for Young Audiences” addresses “some of the structural and societal challenges facing the field and consider ways to overcome those challenges.”
Significantly, its official presentation highlights the value of TYA to the research for more sustainable solutions for the future, in the challenging context of the Covid-pandemia Read more |
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 | | | | Dialogues on the festivals' role in the post covid-19 scenarios |  | Chain Reaction network Every tuesday at 10.30 on zoom To better define this shared process of “co-imagining Covid-19 Crisis Response Strategies” together, we invite you to participate in the discussions that will be held every Tuesday at 10.30 am on the Zoom platform, every week there will be an international guest. Read more |
 | | | | News from New Zealand |  | PAYPA / ASSITEJ New Zealand New Zealand has just moved from our very restrictive Level 4 Lockdown to Level 3, as our government is confident that community transmission has stopped here, despite a trickle of new infections related to confirmed cases. Under Level 3, social gatherings are still not allowed – so, while other areas of the economy open up, there is no reprieve yet for live performing arts. Read more |
 | | | | Be strong, be brave, be steadfast |  | ASSITEJ New Zealand “...I too felt pressure to produce and perform. I felt guilty that I wasn’t doing enough, that I wasn’t using my platform to be of great service right away. But then I realized — I don’t know how to do that yet. There was a real possibility I might burn myself out producing something mediocre instead of figuring out what might be most useful. So I gave myself permission to slow down.” Read more |
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Share your online activitiesAUSTRALIA / INDIA : ISOLATE > CREATE > CONNECTA joint project for children’s creativity lead by ThinkArts, Kolkata and Barking Gecko Theatre, Perth “ThinkArts, Kolkata has been working on creating engagements for children that bring out their creativity during these uncertain times. We’ve recently wrapped up a project and are set to launch another soon, in collaboration with Barking Gecko Theatre, Australia! Get Creative started on March 19, 2020, as an initiative to encourage children to keep up their artistic spirits amidst the coronavirus lockdown and encourage children to spend some time away from the screen. Every morning, three prompts were uploaded on the website, one for each age group (6 to 9, 9 to 12, and 12+). These prompts were lines from children’s books or notable artworks, all taken from the collection in The ThinkArts Corner. Children then created their own artwork or wrote a piece in response. Get Creative received nearly 300 responses over the course of the month, all of which were uploaded on the ThinkArts Instagram and Facebook pages. Read more
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 | | | | ASSITEJ South Africa | | | | TAH DAM! [together at home, dance and music] | | | Research Laboratory in South Africa for Fratz International 2020 In association with MusicDance Cape Town and ASSITEJ South Africa Our project began by asking how we can collaborate with children to compose a music and dance performance together in real-time. Just as we were about to begin our project our president announced a state of national emergency due to the Coronavirus outbreak. Our country has been in lockdown for 4 weeks now, it has taken some time to adjust to this new way of being, but we are also discovering ways that we can still be creative and connect with young audiences during this time.
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 | | | | ASSITEJ UK | | | | Tangled Feet launch their Mindfulness Project at Home | | | “As a response to the current situation we all find ourselves in, this week Tangled Feet launched our Mindfulness Project At Home. The company’s ethos and core values become ever more important during these times and we feel that, as a company, we should encourage a culture of nurture, support and creative flexibility to work around the challenges that we face together as a society.“ The project will deliver 10 online classes for primary school aged children (4-11) to engage with as part of their home learning. We have also released mini activities that you can find on our social platforms.
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A British company through the lockdown영국극단의 봉쇄 정책 이겨내기
온라인으로 '투어'를 가능할까요?
By Claire Templeton, Executive Producer at Theatre Rites Like many other artists and companies, Theatre-Rites should have been touring during April and May. On 23rd March we were due to start re-rehearsals in London for Big Up! our co-production 20 Stories High. Big Up! is a puppetry and beatboxing collaboration for ages 4 plus and was to open at the Southbank Centre in London on 15th April and then tour throughout England. Our new Beatboxer Grace Savage had already spent some rehearsal time with the show’s original Beatboxer and Composer Hobbit in preparation. All systems were Go.
We made the decision to cancel before the Government enforced lockdown but were able to pay a large chunk of salaries. So, after giving everyone time to attempt to adjust to this strange new world we started the ubiquitous Zoom discussions about how the Big Up! family could still create, even in isolation. We had incredible talent in the ‘room’ Grace Savage and Hobbit, singer/performer Dorcas Sebuyange, puppeteers Clarke Joseph Edwards and Teele Uustani, designers Verity Quinn and Joe Hornsby and Co-Director Sue Buckmaster.
[한글번역] 글쓴이: Claire Templeton, Executive Producer at Theatre Rites 다른 많은 예술가 및 회사와 마찬가지로 Theatre-Rites는 4월과 5월에 투어를 다닐 예정이었습니다. 3월 23일에 공동 제작인 20 Stories High, 빅업(Big Up!)을 위해 런던에서 리허설을 다시 시작할 예정이었습니다. 빅업!은 4세 이상 인형극 및 비트 박스가 결합된 작품으로, 4월 15일 런던의 사우스 뱅크 센터에서 먼저 선보인 후 영국 전역을 투어하는 계획을 갖고 있었습니다. 새로운 비트박서인 Grace Savage는 이미 공연의 기존의 비트박서 및 작곡가 Hobbit과 함께 리허설을 마쳤습니다. 이미 모든 시스템이 준비된 상태입니다. 우리는 영국 정부가 봉쇄(lockdown)를 강요하기 전에 공연 일정을 취소하기로 결정했지만, 상당히 많은 양의 급여는 지불 할 수 있었습니다. 따라서 모든 사람들이 이 낯설고 새로운 세계에 적응할 시간을 가진 후, 어떤 식으로 빅업(Big Up!) 가족들이 자가격리의 기간 동안 창작 활동을 지속할 수 있는지에 대해 쉽게 접할 수 있는 Zoom 토론을 시작했습니다. 우리는 ‘방구석 1열’ 에서도 Grace Savage 그리고 Hobbit, 가수 겸 연주자 Dorcas Sebuyange, 인형조종자인 Clarke Joseph Edwards와 Teele Uustani, 디자이너 Verity Quinn과 Joe Hornsby, 그리고 공동 연출가 Sue Buckmaster 의 훌륭한 재능을 확인할 수 있습니다. Read more
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ASSITEJ Russia아시테지 러시아국제 온라인 페스티벌 "베러 덴 어스"
By Olga Zaets, Rostov-on-Don Due to the spread of coronavirus infection, many international theater festivals were canceled. Olga Zaets, artistic director of new online festival “Better than us” would like to give young people who love and miss theater an opportunity to participate in an international online event, watch theater performances from other countries, think, discuss, hear the voices of peers from different parts of the world and theater professionals involved in the creation of performances, and feel that the world is still there. The festival will be held from May 1 to May 5, 2020 and introduce the performances from China, Germany, Romania, Italy and Russia. [한글번역] 글쓴이: Olga Zaets, Rostov-on-Don 코로나 바이러스 감염의 확산으로 많은 국제 극장 축제가 취소되었습니다. 새로운 온라인 페스티벌 “베러 덴 어스(Better than us)”의 예술 감독인 Olga Zaets는 연극을 사랑하고 그리워하는 어린 관객들에게 국제 온라인 이벤트에 참여하고, 다른 나라의 극장 공연을 보고, 생각하고, 토론하고 또한 세계 각지에서 온 동료들, 공연 창작에 관련된 연극계의 전문가들의 목소리를 듣는 기회를 주고 싶어하며, 이 세상은 아직도 존재한다고 느낍니다. 이 축제는 2020년 5월 1일부터 5월 5일까지 개최되며 중국, 독일, 루마니아, 이탈리아 및 러시아의 공연을 소개 할 예정입니다.
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 | | | | ASSITEJ UK | | | | Keeping to engage together, by Theatr na nÓg | | | In an article on her blog, Geinor Styles, artistic director of Theatr na nÓg, brings to the fore the importance of keeping to engage “not only with our audience but with each other in these very isolating times” At Theatr na nÓg, we are compelled to tell stories, but we cannot do it on our own. We need creative creatures. Companions. Allies. Associates.
When I was in school, the moments I enjoyed best were the ones when a group of us were left to our own devices. When things didn’t go to plan, for example – when a teacher didn’t turn up for a lesson or the school bus was late. So we sat and shared stories and secrets, larked around and laughed. Magical times, with a group, who had a connection.
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 | | | | Greece | | | | Tales on the phone… On the phone! | | | The international initiative close to the children and their families during the COVID emergency By Claire Templeton, Executive Producer at Theatre Rites Due to the serious situation that Europe is experiencing in recent weeks, Campsirago Residenza has launched a special initiative for all children: an original reading-game of Favole al telefono by Gianni Rodari, actually performed on the phone. Tales on the phone is an interactive reading performed by an actor or actress. Following the numerous requests that came from Italian families living in England, Spain, Belgium, Austria, Germany, France, Holland, Canada, Campsirago Residenza decided to exceed national boundaries to make its initiative truly international. Now Favole al telefono, performed not only in Italian but also in French, arrive in Greece, thanks to the collaboration with the ACT Theater of Patras and Drin Team – a group of six Greek actors and actresses...
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Opportunities 기회 | | | Discover various open calls concerning TYA! TYA와 관련된 여러분들을 위한 다양한 기회들을 확인하세요! |
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 | | | | ASSITEJ Cuba | | | | ASSITEJ CUBA CALLS FOR TEXTS | | | The Cuban Center of ASSITEJ invites the playwrights members and friends of our association to share their texts so that we can all enjoy them in these days of social isolation. Our center is committed to sharing them via email with its associates, as it is the most feasible way for their socialization. With the permission of the authors, these may be included in the digital files of the ASSITEJ Cuban Center Library and published on our blog: assitej.cubava.cu
The authors may include their contacts in order to establish links with the creators who are motivated to mount their works. Those interested can attach a short biography to the texts. We are open to receive your proposals, for this you can write to the address: assitejcuba@gmail.com Read more |
 | | | ASSITEJ Germany 아시테지 독일 | | | Directors in TYA: Call for Applications TYA 연출가를 모집합니다 | | | In 2021 DIRECTORS IN TYA – An International Exchange will take place from June 20-27th 2021 at Junges! Staatstheater Braunschweig 2021년 TYA의 연출가 – Junges!(Braunschweig State Theater)에서 2021년 6월 20일~27일까지 국제 교류의 기회가 열립니다. You can find the call for applications and the application form here. Every ASSITEJ-Center is invited to nominate one director from their respective country to take part. Please send in their application including the signed application form, a current concise curriculum vitae and a letter of motivation by e-mail to ASSITEJ Germany (m.fechner@kjtz.de) no later than October 1st 2020 여기에서 모집요강 및 신청서를 찾을 수 있습니다. 모든 아시테지 센터는 각 국에서 참여할 수 있는 한 명의 연출가를 지명할 수 있습니다. 2020년 10월 1일까지 서명한 신청서, 가장 최근에 작성된 간결한 이력서 및 동기 부여 레터를 포함한 신청서를 이메일로 ASSITEJ Germany (m.fechner@kjtz.de)에게 보내주시기 바랍니다.
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| | | Directing in Theatre for Young Audiences 어린 관객들을 위한 연극 연출법 | | | A New publication from ASSITEJ Germany – free download 아시테지 독일에서 새로운 출판물을 무료로 다운로드 하세요 | | |
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ASSITEJ Germany publishes a magazine on TYA called IXYPSILONZETT (short: XYZ) in cooperation with the Berlin based publisher Theater der Zeit. For each ASSITEJ World Congress we launch an English language edition. This year we will not have the chance to give it to you in Tokyo, but you can download the magazine here (for free and without revealing any personal data) and the editorial team as well as the contributors would be more than happy to enter into a discussion with you. 아시테지 독일은 베를린의 출판사 Theatre der Zeit와 협력하여 IXYPSILONZETT (축약하여 XYZ)라는 TYA에 관한 잡지를 출판합니다. 매회 ‘아시테지 세계총회’ 때마다 영어 버전으로 출시되던 출판물이 올해 도쿄에서 전달되지 못했기 때문에 여기에서 저희의 잡지를 무료로 다운로드 할 수 있으며(개인 데이터를 공개하지 않는 무료 콘텐츠), 저희 편집 팀과 기고자들은 여러분과의 논의에 흔쾌히 참여할 의사가 있습니다.
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